Winter 2019 News

“My Guns n’ Roses Death Wish,” an essay by Neelanjana Banerjee (Organizing Your Writing with Scrivener), was published by Weird Sister.

Ryan Bedsaul attended the Tin House Writers Workshop in July and took a short fiction workshop with Chinelo Okparanta.

Anna Chavez’s essay “Grandmothers” was published by Fifth Wednesday Journal.

Hope Ewing’s book Movers and Shakers: Women Making Waves in Spirits, Wine, and Beer was released by Unnamed Press.

At the Los Angeles Review of Books, Lisa Fetchko (Westside Nonfiction) published two reviews: one that examines Peruvian author Gabriela Wiener’s Sexographies, translated by Lucy Greaves and Jennifer Adcock, and one that discusses Alice Mattison’s novel Conscience.

Wendy Fontaine’s essay “Bread and Circuses,” inspired by Bernard Cooper’s Joan Didion seminar, was published by The Coachella Review.

Anthony Hoang, a former student in Neelanjana Banerjee’s fiction workshop, has been named a PEN Emerging Voices Fellow.

Mylo Lam’s poem “林 (Forest)” will be published in the next issue of Barrelhouse.

Black Card, a novel by Chris L. Terry (Writing About Music), will be released on August 13, 2021 by Catapult.

An interview with Charles Harper Webb was featured in November’s AWP Writer’s Chronicle.

Lauren Westerfield’s essay "Milk Clock" recently appeared in the new issue of New Delta Review and “Bruxisms” appeared in the fall issue of DIAGRAM. Lauren has essays forthcoming in The Pinch ("On Shame"), Ninth Letter ("That Same Summer"), and Indiana Review ("Dark Storage") in 2019.

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Spring 2018 News

Congratulations to all! Please send us any news you'd like to share for this or future posts!


The Thorn Necklace: Healing Through Writing and the Creative Process, the new book from Francesca Lia Block (Novel III), will be released May 1 by Seal Press. Edan Lepucki writes in her blurb, “With The Thorn Necklace, Block explores her life as an artist and shows us—through encouragement, compassion, and useful exercises—how to find and nurture our own creative selves. An inspiring read.”

“Shadowland,” an exhibit featuring the art of Bernard Cooper and Lloyd Hamrol, opens March 22 at Thomas Paul Fine Art.

Chris Daley (Experimenting with Form in Fiction) was awarded the Yefe Nof California Writing Residency and she will spend two weeks in Lake Arrowhead working on her novel in progress later this spring. Chris will also be in conversation with Janet Fitch at LitFest Pasadena on May 19.

Christopher DeWan (Flash! Workshop) led a flash masterclass for the Arts Enterprise Laboratory, hosted at the Idyllwild Arts Academy.

DeLon Howell’s essay “For Quieter Plans” was published by Wanderlust Journal. He read his essay “Listening for the Boys” for the Tahoma Literary Review’s Soundcloud page. His essay “The One I Hold On To” is forthcoming from Hypertext Magazine.

"The Last Lunch," a story by Jon Krampner started in Neelanjana Banerjee's fiction workshop, was published by Singapore-based Eunoia Review.

Edan Lepucki's second novel Woman No. 17 was noted in the New York Times Book Review's Paperback Row column. On Sunday, March 18 at 4 pm, she will celebrate its paperback release at Book Soup in conversation with visual artist Christine Frerichs.

Brian Lin was accepted to the University of Southern California Ph.D. program in creative writing.

Elline Lipkin (Poetry Techniques) has three poems coming out in The Cost of Paper: Volume Five from the 1888 Center sometime this spring. She appeared this past weekend on the AWP panel: "Literary Public Citizen: The Laureate in the Community."

Mary Jane Myers’s new story collection Curious Affairs: Ordinary Women, Peculiar Tales is now available from Paul Dry Books.

The Expeditioner published Sarah Osman’s essay “Kentucky Fried Camel in Egypt: My Return to a Country I Never Left.”

Ivy Pochoda is a finalist for the Los Angeles Times Mystery/Thriller Book Prize for her novel Wonder Valley.

Lilliam Rivera (American Horror Story) received an honorable mention for the James Tiptree, Jr. award, recognizing exploration and expansion of gender in her novel The Education of Margot Sanchez. Her story “Crave” will be published by Nightmare Magazine on March 21.

Zan Romanoff (Young Adult Fiction) published the following essays since our last news post: “The Joy and Intimacy of the Personal Writing Outlet” for LitHub, “The Women Writers You've Been Overlooking” for The Paris Review, “Butcher Katie Flannery Carries On a Family Tradition,” which was also in print for the Los Angeles Times, “How Sanrio Turned Hello Kitty into a Food Superstar” for Eater, and “Boxing Gloves for Women Can’t Just Be Smaller (Or Pink)” for Racked. Zan also conducted an interview with Karla Welch for The Sunday Times.

Lisa Sanchez’s short story "Doubt" was published in Porter Gulch Review earlier in 2017. It was nominated in October by Pushcart editor Mark Wisniewski. Her essay “After Franken: Three Logical Fallacies that Triggered a Resignation” was published at Wrath-Bearing Tree.  She was also a finalist for the 2017 Cutthroat Magazine Rick Demarinis Short Story Award for her short story "Nightingale's Lover."

“Trying to Get Pregnant Took Over My Life—Here's How I Got It Back,” an essay by Jessica Wright Weinstock started in Zan Romanoff’s nonfiction workshop, was published in Glamour.

Lauren Westerfield’s poems “As Killjoy” and “As Block Paragraph” appeared in Hobart, and her essay “The Need to Use Your Teeth” was published by The Baltimore Review. She is also nonfiction editor of Fugue Journal—its latest issue was released this month, in which Lauren interviews Mary-Kim Arnold. Fugue’s 2018 Prose Contest closes March 15.

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